— and it hinges on an unlikely friendship that could only exist while in the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens to be the best.

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It’s taken a long time, but LGBTQ movies can finally feature gay leads whose sexual orientation isn’t central on the story. When an Anglo-Asian guy (

In order to make such an innocent scene so sexually tense--just one truly is usually a hell of a script author... The result is awesome, and shows us just how tempted and mesmerized Yeon Woo really is.

It’s now The style for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL

A married male falling in love with another person was considered scandalous and potentially career-decimating movie fare during the early ’80s. This unconventional (for the time) love triangle featuring Charlie’s Angels

did for feminists—without the vehicle going off the cliff.” In other words, put the Kleenex away and just enjoy love as it blooms onscreen.

Played by Rosario Bléfari, Silvia feels like a ’90s incarnation of aimless 20-something women like Frances Ha or Julie from “The Worst Individual during the World,” tinged with Rejtman’s usual brand of dry humor. When our heroine learns that another woman shares her name, it prompts an identity crisis of sorts, prompting her brazzers to curl her hair, don fake nails, and wear a fur coat to some meeting organized between The 2.

“To me, ‘Paris Is Burning’ is such a gift in the sense that it introduced me to the world and to people who were very much like me,’” Janet Mock told IndieWire in 2019.

It didn’t work out so well for that last girl, but what does Advertèle care? The hole in her heart is almost as large as being the hole between her teeth, faketaxi and there isn’t a man alive who’s been in the position to fill it up to now.

And yet all of it feels like part of a larger tapestry. Just consider each of the seminal moments: Jim Caviezel’s AWOL soldier seeking refuge with natives amateur porn with a South Pacific island, Nick Nolte’s Lt. Col. trying to rise up the ranks, butting heads with a noble John Cusack, as well as the company’s attempt to take Hill 210 in among the most perv mom involving scenes ever filmed.

The ’90s began with a revolt against the kind of bland Hollywood merchandise that people might eliminate to determine in theaters today, creaking open a small window of time in which a more commercially practical American unbiased cinema began seeping into mainstream fare. Young and exciting directors, many of whom at the moment are big auteurs and perennial IndieWire favorites, were given the resources to make multiple films — some of them on massive scales.

“The Truman Show” would be the rare high concept movie that executes its eye-catching premise to absolute perfection. The concept of a man who wakes as many as learn that his entire life was a simulated reality show could have easily gone awry, but director Peter Weir and screenwriter Andrew Niccol managed to craft a believable dystopian satire that has as much to state about our relationships with God as it does our pornoo relationships with the Kardashians. 

—stares into the infinite night sky pondering his identity. That we can empathize with his existential realization is testament to the animators and character design team’s finesse in imbuing the gentle metal giant with an endearing warmth despite his imposing size and weaponized configuration.